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Table of contents
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Chapter 1 - Introduction to Camera Assisting
Pages 1-5 - Book chapterNo access
Chapter 2 - Responsibilities of the Camera Assistant
Pages 7-22 - Book chapterNo access
Chapter 3 - Film Formats and Aspect Ratios
Pages 23-36 - Book chapterNo access
Chapter 4 - The Camera Equipment Checkout
Pages 37-102 - Book chapterNo access
Chapter 5 - Shooting Tests During Checkout
Pages 103-124 - Book chapterNo access
Chapter 6 - Loading/Unloading
Pages 125-159 - Book chapterNo access
Chapter 7 - Lenses
Pages 161-176 - Book chapterNo access
Chapter 8 - Filters
Pages 177-191 - Book chapterNo access
Chapter 9 - Focus
Pages 193-249 - Book chapterNo access
Chapter 10 - Setup and Maintenance
Pages 251-264 - Book chapterNo access
Chapter 11 - Shooting Procedures
Pages 265-318 - Book chapterNo access
Chapter 12 - Slates and Slating
Pages 319-342 - Book chapterNo access
Chapter 13 - Paperwork
Pages 343-360 - Book chapterNo access
Chapter 14 - Video Assist Systems
Pages 361-366 - Book chapterNo access
Chapter 15 - Tools and Supplies
Pages 367-381 - Book chapterNo access
Chapter 16 - Education of a Camera Assistant, and Finding Work Afterwards
Pages 383-394 - Book chapterNo access
Appendix A - Bibliography
Pages 395-397 - Book chapterNo access
Appendix B - Expendable Supplies Shopping List
Pages 398-401 - Book chapterNo access
Appendix C - Camera Equipment Checkout Checklist
Pages 402-404 - Book chapterNo access
Appendix D - Useful Formulas and Charts
Pages 405-408 - Book chapterNo access
Appendix E - Film Magazine Takeup
Page 409 - Book chapterNo access
Appendix F - Screen Time/Camera Running Time
Pages 410-411 - Book chapterNo access
Index
Pages 413-421
About the book
Publisher's Note: Transferred to Taylor & Francis as of 2012
Description
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field.
Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed.
Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field.
Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed.
Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.
Key Features
Details both the practice and the theory necessary to be a camera assistant.
Concentrates on technique, not equipment.
Serves as a comprehensive manual, which teaches the necessary methods to get the job done and stay employed.
Details both the practice and the theory necessary to be a camera assistant.
Concentrates on technique, not equipment.
Serves as a comprehensive manual, which teaches the necessary methods to get the job done and stay employed.
Details
ISBN
978-0-240-80042-4
Language
English
Published
1995
Copyright
Copyright © 1995 Elsevier Inc. All rights reserved
Imprint
Focal Press