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CHAPTER I - The Animation Camera
Pages 9-29 - Book chapterAbstract only
CHAPTER II - The Animation Stand
Pages 30-57 - Book chapterAbstract only
CHAPTER III - The Field Chart; The Light Box; The Cell Punch
Pages 58-66 - Book chapterAbstract only
CHAPTER IV - Methods of Animation
Pages 67-78 - Book chapterAbstract only
CHAPTER V - Basic Techniques
Pages 79-95 - Book chapterAbstract only
CHAPTER VI - Superimposition and Image Replacement
Pages 96-113 - Book chapterAbstract only
CHAPTER VII - Back Projection and Aerial Image
Pages 114-125 - Book chapterAbstract only
CHAPTER VIII - Fades and Mixes
Pages 126-136 - Book chapterAbstract only
CHAPTER IX - Exposures at Different Sized Fields
Pages 137-142 - Book chapterAbstract only
CHAPTER X - The Dope Sheet
Pages 143-153 - Book chapterAbstract only
CHAPTER XI - Linear Movements and Fairings
Pages 154-168 - Book chapterAbstract only
CHAPTER XII - Exponential Movements
Pages 169-181 - Book chapterAbstract only
CHAPTER XIII - Rotations and Circular Pans
Pages 182-205 - Book chapterNo access
Fairings, Co-fairings and Middle Fairings
Pages 206-210 - Book chapterNo access
EXPOSURES FOR DIFFERENT SIZED FIELDS
Pages 211-216 - Book chapterNo access
FRAMES, SECONDS, FEET, METERS
Pages 217-222 - Book chapterNo access
LENGTHS OF FILM IN MAGAZINE
Pages 223-224 - Book chapterNo access
Standards and Metric Conversion
Page 225
- Book chapterNo access
GLOSSARY
Pages 226-237 - Book chapterNo access
INDEX
Pages 238-239
About the book
Description
Basic Animation Stand Techniques describes the use and importance of the animation stand in making animated films for the screen. The book describes the fundamental operation and construction of the animation stand where the film camera is mounted. The text explains in detail how the animation stand holds the camera, which points vertically straight down on the table containing the artwork. The selection describes the zoom movement, the light box, and the cell punch. Then the book discusses the three kinds of methods of animation, namely, modification, substitution, and mechanical movement. The book teaches some basic techniques of animation as well as the use of superimposition, image replacement, back projection, aerial image, fades, or mixes. The text explains exposures at different sized fields and camera exposure sheets, the latter containing detailed instructions on how to shoot each single frame. The book also notes the settings that can be achieved on a modern animation stand, including the counters and calibration of gears and wheels. For example, a movement can be as precise as a hundredth of an inch, while a rotation can be made in a tenth of a degree. The book also provides a fairing table, different exposures for different films, and a method to approximate the amount of film stock left in a magazine. The text is valuable for artists, animators, animation technicians, film directors, and others working in the film industry.
Basic Animation Stand Techniques describes the use and importance of the animation stand in making animated films for the screen. The book describes the fundamental operation and construction of the animation stand where the film camera is mounted. The text explains in detail how the animation stand holds the camera, which points vertically straight down on the table containing the artwork. The selection describes the zoom movement, the light box, and the cell punch. Then the book discusses the three kinds of methods of animation, namely, modification, substitution, and mechanical movement. The book teaches some basic techniques of animation as well as the use of superimposition, image replacement, back projection, aerial image, fades, or mixes. The text explains exposures at different sized fields and camera exposure sheets, the latter containing detailed instructions on how to shoot each single frame. The book also notes the settings that can be achieved on a modern animation stand, including the counters and calibration of gears and wheels. For example, a movement can be as precise as a hundredth of an inch, while a rotation can be made in a tenth of a degree. The book also provides a fairing table, different exposures for different films, and a method to approximate the amount of film stock left in a magazine. The text is valuable for artists, animators, animation technicians, film directors, and others working in the film industry.
Details
ISBN
978-0-08-021368-2
Language
English
Published
1977
Copyright
Copyright © 1977 Elsevier Ltd. All rights reserved.
Imprint
Pergamon