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Table of contents
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Chapter 1 - Introduction to Sound
Pages 1-72 - Book chapterNo access
Chapter 2 - Introduction to Hearing
Pages 73-119 - Book chapterNo access
Chapter 3 - Notes and Harmony
Pages 121-165 - Book chapterNo access
Chapter 4 - Acoustic Model for Musical Instruments
Pages 167-230 - Book chapterNo access
Chapter 5 - Hearing Timbre and Deceiving the Ear
Pages 231-275 - Book chapterNo access
Chapter 6 - Hearing Music in Different Environments
Pages 277-363 - Book chapterNo access
Chapter 7 - Applications: Acoustics and Psychoacoustics Combined
Pages 365-436 - Book chapterNo access
Appendix 1: - The Fourier Transform
Pages 437-446 - Book chapterNo access
Appendix 2: - Solving the ERB Equation
Page 447 - Book chapterNo access
Appendix 3: - Converting between Frequency Ratios and Cents
Pages 449-450 - Book chapterNo access
Appendix 4: - Deriving the Reverberation Time Equation
Pages 451-454 - Book chapterNo access
Appendix 5: - Deriving the Reverberation Time Equation for Different Frequencies and Surfaces
Pages 455-457 - Book chapterNo access
Appendix 6: - The Effect of Speaker Size on its Polar Pattern
Pages 459-471 - Book chapterNo access
Appendix 7: - Track Listing for the Audio Compact Disc
Pages 473-478 - Book chapterNo access
Index
Pages 479-488
About the book
Publisher's Note: Transferred to Taylor & Francis as of 2012
Description
The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics gives you an essential grounding and understanding to how real music sounds behave in different spaces whether during a performance or a recording and how they are perceived by performers and listeners.
With their clear and simple style Howard and Angus walk you through the theory- the science of sound engineering and music production, the acoustics of musical instruments, how we hear musical sounds, and the practical- how to apply it to music spaces to create professional sound. Real-world examples and audio clips to work with are provided, providing practical materials to work with.
The new edition uncovers the acoustic application for today's recording industry. The accompanying CD provides audio examples to help readers gain a clear understanding of the many concepts discussed in the book.
The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics gives you an essential grounding and understanding to how real music sounds behave in different spaces whether during a performance or a recording and how they are perceived by performers and listeners.
With their clear and simple style Howard and Angus walk you through the theory- the science of sound engineering and music production, the acoustics of musical instruments, how we hear musical sounds, and the practical- how to apply it to music spaces to create professional sound. Real-world examples and audio clips to work with are provided, providing practical materials to work with.
The new edition uncovers the acoustic application for today's recording industry. The accompanying CD provides audio examples to help readers gain a clear understanding of the many concepts discussed in the book.
Key Features
- Acoustics and psychoacoustics covered from a musical standpoint to help those involved in music technology and music understand sound and how we hear it as well as how the acoustics of spaces affect sound transmission and recording spaces
- New content includes surround sound standards, MP3/ AAC coding, basics of audiometric measurement, mosquito "teen scarers"
- Acoustics and psychoacoustics covered from a musical standpoint to help those involved in music technology and music understand sound and how we hear it as well as how the acoustics of spaces affect sound transmission and recording spaces
- New content includes surround sound standards, MP3/ AAC coding, basics of audiometric measurement, mosquito "teen scarers"
Details
ISBN
978-0-240-52175-6
Language
English
Published
2009
Copyright
Copyright © 2009 Elsevier Ltd. All rights reserved
Imprint
Focal Press